Hayward became the group's principal lead guitarist/vocalist over the 1967–1974 period, and the most prolific songwriter and composer of several big hit singles for the band.ĭuring this time, he wrote memorable album tracks, including: ' (originally the first half, with Lodge's, of 'Forever Afternoon (Tuesday?)'), ', ', ', ', 'It's Up to You', 'Dawning is the Day', ' (a US chart hit), 'You Can Never Go Home', 'New Horizons', 'The Land of Make-Believe', and 'Island'. Hayward's B-side song 'Cities' was an early ecology-themed item. The latter record went on to sell over two million copies, charting three times in the UK (1967, 1972, and 1979) and has been recorded by many other recording artists. Hayward said of Pinder: 'Mike and the Mellotron made my songs work.' The 1967 album, one of the first and most influential albums, gave rise to the Hayward-penned singles ' and '. Hayward and Lodge's integration into the Moody Blues along with Pinder's use of the Mellotron sparked greater commercial success and recognition for the band, transforming them into one of pop music's biggest-selling acts.
Hayward's driving rocker 'Leave This Man Alone' was then used as the of their next single on Decca, backing Pinder's 'Love And Beauty' (1967), the first Moody Blues record to feature the. It failed to chart, but gave the revised band a new direction forward from the sound they had been largely producing up to that point. After beginning by singing the old -inspired repertoire of the Moody Blues' 1964–1965 era, Hayward's initial artistic contribution to the Moody Blues was his song 'Fly Me High', which was a single early in 1967. Bassist replaced temporary deputy Rod Clarke, who had stood in for departed bassist at the same time.
Within a few days, Hayward had replaced departing Moody Blues vocalist and guitarist. The Moody Blues In 1966, after answering another ad in Melody Maker, this time placed by of, Hayward was contacted by of the Moody Blues after Burdon had passed on Hayward's letter and demo discs to Pinder. In 1965 he answered an advertisement in and auditioned as guitarist for and he went on to work with Wilde and his wife in The Wilde Three. At age 17, he signed an eight-year publishing contract as a songwriter with the artist and record producer, a move Hayward later regretted, as it meant the rights to all his songs written before 1974 would always be owned by Donegan's Tyler Music. One of Hayward's early groups was All Things Bright, which opened for and. He performed with local Swindon groups in clubs and dance halls playing mostly songs. All previous guitars were 'unsatisfactory' and required modification. He was playing in several bands as early as age 15 when he bought his, a guitar that appears on nearly all of his records throughout his career, and a amplifier.
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